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Writer's picturePeter K F Cheung SBS

Creative Quotient

  1. FADE IN


  2. Act 1


  3. INT. BEDROOM - 06:50


  4. In bed, PETER opens his eyes.


  5. PETER (V.O.): Oh, I've the urge to write songs again.


  6. Pausing.


  7. PETER (V.O.) (Cont'd): What should be the theme of my next new song?


  8. Thinking.


  9. PETER (V.O.) (Cont'd): I've written many festive songs and I don't want to write silly love songs.


  10. Pausing.


  11. PETER (V.O.) (Cont'd): Let me imagine.


  12. Thinking.


  13. PETER (V.O.) (Cont'd): Should I write something about creativity?


  14. Act 2


  15. INT. SITTING ROOM - 11:30


  16. Smart phone in hand, Peter is surfing the web.


  17. PETER (V.O.): The most important quality a job candidate should have these days isn't IQ but CQ?


  18. Pausing.


  19. PETER (V.O.) (Cont'd): What's CQ?


  20. Reading.


  21. PETER (V.O.) (Cont'd): Creativity Quotient (CQ) is the measure of a person's creative intelligence.


  22. Pausing.


  23. PETER (V.O.) (Cont'd): How to measure then?


  24. Reading.


  25. PETER (V.O.) (Cont'd): Just ask a candidate a question related to setbacks. If the candidate shows signs of fear, it is probable that s/he has low CQ.


  26. Thinking.


  27. PETER (V.O.) (Cont'd): So creativity isn't confined to a personal's artistic expression.


  28. INT. STUDIO - 15:30


  29. Peter tunes a green LTD electric guitar and then a white Traveller with a Fender guitar amplifier.


  30. PETER (V.O.) (Cont'd): I haven't played them for months.


  31. Attempting to tune a red Ibanez guitar with a Roland Cube Street, Peter hears no sound from the amplifier.


  32. PETER (V.O.) (Cont'd): Anything wrong with the guitar?


  33. Peter checks the connections and turns the switches. But there's no feedback.


  34. PETER (V.O.) (Cont'd): Anything wrong the with the guitar amplifier? I meant to use it in the streets but I've never done so.


  35. Peter checks it and discovers something.


  36. PETER (V.O.) (Cont'd): Oh, I've plugged the guitar input jack into the microphone input rather than into the instrument input.


  37. As Peter has re-plugged the guitar jack, we hear loud feedback. Peter readjusts the guitar switches.


  38. PETER (V.O.) (Cont'd): Problem solved. Good.


  39. Peter begins to play guitar fingering. After a while, he stops.


  40. PETER (V.O.) (Cont'd): Oh, I feel pain in my fingertips as the calluses have all gone. I don't think I can write any song today.


  41. Having tuned a white Yamaha bass guitar with a Roland bass guitar amplifier and switched on a rhythm device, Peter plays some bass scales to the beats.


  42. PETER (V.O.) (Cont'd): Yes, let me create conditions conducive to creativity first.


  43. Peter then tunes a 12-string Fender Villager, does a few strums and stops,


  44. PETER (V.O.) (Cont'd): Oh my god, I feel tired. When I was in my teens, I used to play hours daily!


  45. Resting in a stool, Peter picks up a book entitled "Abbey Road".


  46. PETER (V.O.) (Cont'd): When and where did I buy it?


  47. Having turned the book cover, Peter sees on the first page a handwritten name and "1987, London".


  48. PETER (V.O.) (Cont'd): I was about to complete my LLM studies at UCL. I entertained myself in London bookshops.


  49. Pausing.


  50. PETER (V.O.): I admired the creative people but didn't think about writing songs myself.


  51. Pausing.


  52. PETER (V.O.) (Cont'd): Although I did begin in 2010, I haven't written any song for over two years now. Am I limiting my songwriting psychologically?


  53. Act 3


  54. INT. BEDROOM - 23:45


  55. Peter is about to go to bed.


  56. PETER (V.O.): I believe that human brains, made by stardust, are naturally creative.


  57. Pausing.


  58. PETER (V.O.) (Cont'd): Through intelligent thinking of linking the known with the yet-to-be, creativity is learnable.


  59. Pausing.


  60. PETER (V.O.) (Cont'd): If one feels something is limiting one's thinking and linking, what s/he needs to do is to challenge the limitations to unleash his/her creativity.


  61. THE END


  62. FADE OUT


















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